Books and Articles
Allison, Anne. Permitted and Prohibited Desires: Mothers, Comics, and Censorship in Japan. Boulder, CO: Westview Press, 1996.
_____. Nightwork: Sexuality, Pleasure, and Corporate Masculinity in a Tokyo Hostess Club. Chicago and London: The University of Chicago Press, 1994.
Bataille, Georges. Visions of Excess: Selected Writings, 1927-1939. Ed. and with an Introduction by Allan Stoekl. Tr. Allan Stoekl, with Carl R. Lovitt and Donald M. Leslie, Jr. Minneapolis: University of Minnesota Press, 1985.
_____. “The Psychological Structure of Fascism.” In Visions of Excess. 137-160.
_____. “The Use Value of D.A.F. de Sade (An Open Letter to My Current Comrades).” In Visions of Excess, 91-102.
_____. “The Notion of Expenditure.” In Visions of Excess, 116-129.
_____. The Accursed Share, Volume 1: Consumption. Tr. Robert Hurley. New York: Zone Books, 1991.
_____. The Unfinished System of Nonknowledge. Ed. and with an Introduction by Stuart Kendall. Tr. Michelle Kendall and Stuart Kendall. Minneapolis and London: University of Minnesota Press, 2001.
_____. The Tears of Eros. Tr. Peter Connor. San Francisco: City Lights Books, 1989.
_____. Inner Experience. Tr. with an Introduction by Leslie Anne Boldt. Albany: State University of New York Press, 1988.
_____. Guilty. Tr. Bruce Boone. Venice, CA: Lapis Press, 1988.
Beels, Alex. “Musician John Zorn’s Brutal Images of Asians Draw Fire.” Asian New Yorker (May 1994): 5-6.
Beer, Lawrence Ward. Freedom of Expression in Japan: A Study in Comparative Law, Politics, and Society. Tokyo: Kodansha International, Ltd., 1984.
Boldt-Irons, Leslie Anne, ed. On Bataille: Critical Essays. Tr. with an Introduction by Leslie Anne Boldt-Irons. Albany: State University of New York Press, 1995.
Buckley, Sandra. “Penguin in Bondage: A Graphic Tale of Japanese Comic Books.” In Technoculture, 163-193.
Buruma, Ian. Behind the Mask: On Sexual Demons, Sacred Mothers, Transvestites, Gangsters and Other Japanese Cultural Heroes. New York: Meridian, 1985.
Butler, Judith. “The Force of Fantasy: Feminism, Mapplethorpe, and Discursive Excess.” In The Judith Butler Reader, 183-203.
_____. Excitable Speech: A Politics of the Performative. New York and London: Routledge, 1997.
Clammer, John. Contemporary Urban Japan: A Sociology of Consumption. Oxford: Blackwell Publishers Ltd., 1997.
Connor, Peter Tracey. Georges Bataille and the Mysticism of Sin. Baltimore: Johns Hopkins UP, 2000.
Deleuze, Gilles. Masochism: Coldness and Cruelty. Tr. Jean McNeil. New York: Zone Books, 1991.
Dore, R.P. City Life in Japan: A Study in a Tokyo Ward. London: Routledge & Kegan Paul, 1958.
Dworkin, Andrea. Pornography: Men Possessing Women. New York: Perigee Books, 1981.
Everett, Yayoi Uno and Frederick Lau, eds. Locating East Asia in Western Art Music. Middletown, CT: Wesleyan UP, 2004.
Foucault, Michel. The History of Sexuality, Volume 1: An Introduction. Tr. Robert Hurley. New York: Vintage Books, 1990.
Fujimura-Fanselow, Kumiko and Atsuko Kameda, eds. Japanese Women: New Feminist Perspectives on the Past, Present, and Future. New York: The Feminist Press at the City University of New York, 1995.
Funabashi, Kuniko. “Pornographic Culture and Sexual Violence.” In Japanese Women: New Feminist Perspectives on the Past, Present, and Future, 255-263.
Gasché, Rodolphe. “The Heterological Almanac.” In On Bataille: Critical Essays, 157-208.
Grigsby, Mary. “The Social Production of Gender as Reflected in Two Japanese Culture Industry Products: Sailormoon and Crayon Shin-Chin.” In Themes and Issues in Asian Cartooning: Cute, Cheap, Mad, and Sexy, 183-210.
Hamilton, Denise. “Zorn’s ‘Garden’ Sprouts Discontent Jazz.” Los Angeles Times, Aug. 15, 1994: 9.
Hisama, Ellie M. “Postcolonialism on the Make: The Music of John Mellencamp, David Bowie, and John Zorn” Popular Music 12:2 (May 1993): 91-104.
_____. “John Zorn and the Postmodern Condition.” In Locating East Asia in Western Art Music, 72-84.
Koskoff, Ellen. “Miriam Sings Her Song: The Self and the Other in Anthropological Discourse.” In Musicology and Difference, 149-163.
Kramer, Jonathan D. “Beyond Unity: Toward an Understanding of Musical Postmodernism.” In Concert Music, Rock, and Jazz Since 1945: 11-34.
Lee, Elisa. “Zorn’s Album Art of Asian Women Sparks Controversy,” AsianWeek 15:32 (1994): 1.
Lent, John A., ed. Themes and Issues in Asian Cartooning: Cute, Cheap, Mad, and Sexy. Bowling Green, OH: Bowling Green State University Popular Press, 1999.
Levi, Antonia. Samurai From Outer Space: Understanding Japanese Animation. Chicago and La Salle, IL: Open Court, 1996.
Linden, Robin Ruth, Darlene R. Pagano, Diana E. H. Russell, Susan Leigh Star, eds. Against Sadomasochism: A Radical Feminist Analysis. East Palo Alto, CA: Frog in the Well Press, 1982.
MacKendrick, Karmen. Counterpleasures. Albany: State University of New York Press, 1999.
MacKinnon, Catharine. Only Words. Cambridge, MA: Harvard UP, 1993.
Marvin, Elizabeth West and Richard Hermann, eds. Concert Music, Rock, and Jazz Since 1945. Rochester, NY: University of Rochester Press, 1995.
McClary, Susan. Conventional Wisdom. Berkeley and Los Angeles: University of California Press, 2000.
McNeilly, Kevin. “Ugly Beauty: John Zorn and the Politics of Postmodern Music,” Postmodern Culture 5 (1994-1995): available online at http://muse.jhu.edu/journals/postmodern_culture/v005/5.2mcneilly.html
Middleton, Richard. Reading Pop: Approaches to Textual Analysis in Popular Music. Oxford: Oxford UP, 2000.
Penley, Constance and Andrew Ross, eds. Technoculture. Minneapolis: University of Minnesota Press, 1991.
Richie, Donald. Some Aspects of Japanese Popular Culture. Tokyo: Shubun International, 1981.
Richman, Michèle H. Reading Georges Bataille: Beyond the Gift. Baltimore: Johns Hopkins UP, 1982.
Salih, Sarah, ed. with Judith Butler. The Judith Butler Reader. Oxford: Blackwell Publishing, 2004.
Sargeant, Jack. Deathtripping. London and San Francisco: Creation Books, 1995.
Scarry, Elaine. The Body in Pain. New York and Oxford: Oxford UP, 1985.
Scott, Gini Graham. Erotic Power: An Exploration of Dominance and Submission. Secaucus, NJ: Citadel, 1983.
Service, Tom. “Playing a New Game of Analysis: John Zorn’s Carny, Autonomy and Postmodernism,” BPM Online 5 (June 2002): online at http://www.bpmonline.org.uk/bpm5-playing.html
Shamoon, Deborah. “Office Sluts and Rebel Flowers: The Pleasures of Japanese Pornographic Comics for Women.” In Porn Studies, 77-103.
Shigematsu, Setsu. “Dimensions of Desire: Sex, Fantasy, and Fetish in Japanese Comics.” In Themes and Issues in Asian Cartooning: Cute, Cheap, Mad, and Sexy, 127-163.
Shiokawa, Kanako. “Cute But Deadly: Women and Violence in Japanese Comics.” In Themes and Issues in Asian Cartooning: Cute, Cheap, Mad, and Sexy, 93-125.
Silverman, Kaja. Male Subjectivity at the Margins. New York and London: Routledge, 1992.
Solie, Ruth, ed. Musicology and Difference. Berkeley and Los Angeles: University of California Press, 1993.
Suleiman, Susan Rubin. Subversive Intent: Gender, Politics, and the Avant-Garde. Cambridge and London: Harvard UP, 1990.
Toshiharu, Tai and John Zorn. “About the Record Jacket of Guts of a Virgin,” Eureka: Poems and Criticism 29:1 (1997): 133-139.
Williams, Linda. Hard Core: Power, Pleasure, and the “Frenzy of the Visible.” Berkeley and Los Angeles: University of California Press, 1989.
Williams, Linda, ed. Porn Studies. Durham and London: Duke UP, 2004.
John Zorn. Moonchild: Songs Without Words. Tzadik TZ 7357, 2006.
Naked City. Naked City. Elektra/Nonesuch 979238-2, 1990.
_____. Leng Tch’e. Toy’s Factory TFCK 88604, 1992.
_____. Grand Guignol. Avant Avan 002, 1992.
_____. Naked City: Black Box. Tzadik TZ 7812-2, 1996.
_____. Naked City: The Complete Studio Recordings. Tzadik TZ 7344-5, 2005.
Painkiller. Rituals: Live in Japan. Toys Factory TFCK 88627, 1993.
_____. Talisman: Live in Nagoya. Tzadik TZ 7342, 2002.
Copyright 2008 UC Regents