TableOfContents

What Fun? Whose Fun? Cindy Lauper and the Re(Covering of a Pop Song)

 

Works Cited

Books and Articles

Albano, Lou and Edward R. Ricciuti. The Wit and Wisdom of Lou Albano. Greenwich, CT: Titan Sports Publications, 1986.

Bayton, Mavis. “Women and the electric guitar.” Sexing the Groove: Popular Music and Gender. Ed. Sheila S. Whiteley. New York: Routledge, 1997. 37–49.

Burns, Lori and Mélisse Lafrance. Disruptive Divas: Feminism, Identity, and Popular Music. New York: Routledge, 2002.

Butler, Judith. “Gendering the Body: Beauvoir’s Philosophical Contribution.” Women, Knowledge, and Reality: Explorations in Feminist Philosophy. Eds. Ann Garry and Marilyn Pearsall. Boston: Unwin Hyman, 1989. 253–62.

———. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990.

Butler, Mark. “Taking It Seriously: Intertextuality and Authenticity in Two Covers by the Pet Shop Boys.” Popular Music 22.1 (2003): 1–19.

Coyle, Michael. “Hijacked Hits and Antic Authenticity: Cover Songs, Race, and Postwar Marketing.” Rock Over the Edge: Transformations in Popular Music Culture. Eds. Roger Beebe, Denise Fulbrook and Ben Saunders. Durham, NC: Duke University Press, 2002. 133–57.

Currid, Brian. “‘We Are Family’: House Music and Queer Performativity.” Cruising the Performative: Interventions into the Representation of Ethnicity, Nationality, and Sexuality. Eds. Sue-Ellen Case, Philip Brett and Susan Leigh Foster. Bloomington: Indiana University Press, 1995. 165–96.

Doane, Mary Ann. “Film and the Masquerade: Theorizing the Female Spectator.” Issues in Feminist Film Criticism. Ed. Patricia Erens. Bloomington: Indiana University Press, 1990. 41–57.

Evans, Liz. Women, Sex, and Rock ‘n’ Roll: In Their Own Words. London: Pandora, 1994.

Faith, Karlene. Madonna: Bawdy and Soul. Toronto: University of Toronto Press, 1997.

Fiske, John. “British Cultural Studies and Television.” Channels of Discourse: Television and Contemporary Criticism. Ed. Robert C. Allen. Chapel Hill: University of North Carolina Press, 1987. 254–89.

Frith, Simon. Music for Pleasure: Essays in the Sociology of Pop. New York: Oxford University Press, 1988. 205–25.

———. “The Popular Music Industry.” The Cambridge Companion to Pop and Rock. Eds. Simon Frith, Will Straw and John Street. New York: Cambridge University Press, 2001. 26–52.

Gilbert, Jeremy and Ewan Pearson. Discographies: Dance Music, Culture, and the Politics of Sound. New York: Routledge, 1999.

Hirshey, Geri. We Gotta Get Out of This Place: The True, Tough Story of Women in Rock. New York: Atlantic Monthly Press, 2002.

hooks, bell. “Madonna: Plantation Mistress or Soul Sister.” Chap. 10 in Black Looks: Race and Representation. Boston: South End Press, 1992. 157–64.

Hornaday, Ann. “Cyndi Lauper.” Ms. Jan. 1985: 47.

Jameson, Frederic. Postmodernism, or, the Cultural Logic of Late Capitalism. Durham, NC: Duke University Press, 1991.

Johnstone, Nick. Melody Maker History of 20th Century Popular Music. London: Bloomsbury, 1999.

Kaplan, E. Ann. Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture. New York: Methuen, 1987.

Kearney, Mary Celeste. “The Missing Links: Riot Grrrl, Feminism, Lesbian Culture.” Sexing the Groove: Popular Music and Gender. Ed. Sheila Whiteley. New York: Routledge, 1997. 207–29.

Lewis, Lisa A. “Being Discovered: The Emergence of Female Address on MTV.” Sound and Vision: The Music Video Reader. Eds. Simon Frith, Andrew Goodwin and Lawrence Grossberg. New York: Routledge, 1993. 129–51.

———. Gender Politics and MTV: Voicing the Difference. Philadelphia: Temple University Press, 1990.

Loder, Kurt. “Robert Hazard, Philly Hero.” Rolling Stone Nov. 26, 1981: 63.

Marcic, Dorothy. Respect: Women and Popular Music. New York: Texere, 2002.

Marcus, Greil. “Free Speech, #1.” Ranters and Crowd Pleasers: Punk in Pop Music, 1977-92. New York: Doubleday, 1993 [1984]. 253–57.

McClary, Susan. Feminine Endings: Music, Gender, and Sexuality. Minneapolis: University of Minnesota Press, 1991.

McDonnell, Evelyn. Rev. of The Sex Revolts: Gender, Rebellion, and Rock ‘n’ Roll, by Simon Reynolds and Joy Press. Village Voice July 18, 1995: 68.

Millman, Joyce. “Primadonna.” Rock and Roll is Here to Stay: An Anthology. Ed. William McKeen. New York: Norton, 2000. 231–35.

Moore, Allan. Rock, the Primary Text: Developing a Musicology of Rock. Brookfield, VT: Ashgate, 2001.

Nehring, Neil. “The Riot Grrrls and ‘Carnival.’” Reading Rock and Roll: Authenticity, Appropriation, Aesthetics. Ed. Kevin J. H. Dettmar and William Richey. New York: Columbia University Press, 1999. 209–35.

Peraino, Judith A. “Girls with Guitars and Other Strange Stories.” Rev. of Madonna: Bawdy and Soul, by Karlene Faith, Scars of Sweet Paradise: The Life and Times of Janis Joplin, by Alice Echols, Frock Rock: Women Performing Popular Music, by Mavis Bayton, and Girls Will Be Boys: Women Report on Rock, ed. Liz Evans. Journal of the American Musicological Society 54 (2001): 692–709.

Rubey, Dan. “Voguing at the Carnival: Desire and Pleasure on MTV.” The South Atlantic Quarterly 90 (1991): 871–906.

Schwichtenberg, Cathy. “Music Video: The Popular Pleasures of Visual Music.” Popular Music and Communication. Ed. James Lull. Newbury Park, CA: Sage, 1992. 116–33.

Shore, Michael. The Rolling Stone Book of Rock Video. New York: Quill, 1984.

Smith, Patricia Juliana. “‘Ask Any Girl’: Compulsory Heterosexuality and Girl Group Culture.” Reading Rock and Roll: Authenticity, Appropriation, Aesthetics. Eds. Kevin J. H. Dettmar and William Richey. New York: Columbia University Press, 1999. 93–124.

Sneed, Elizabeth. “Feminist Riot Grrrls Don’t Just Want to Have Fun.” U.S.A. Today Aug. 7, 1992: 50.

Stein, Arlene. “Rock Against Romance: Gender, Rock ‘n’ Roll, and Resistance.” Stars Don’t Stand Still in the Sky: Music and Myth. Ed. Karen Kelly and Evelyn McDonnell. New York: New York University Press, 1999. 215–27.

Straw, Will. “Popular Music and Post-Modernism in the 1980s.” Sound and Vision: The Music Video Reader. Eds. Simon Frith, Andrew Goodwin and Lawrence Grossberg. New York: Routledge, 1993. 3–21.

Taylor, Chuck. “Jewel Just Having Fun These Days. After Three Serious Sets, Singer Embraces Pop, Plays Up Sexuality.” Billboard June 7, 2003: 13.

Toynbee, Jason. Making Popular Music: Musicians, Creativity and Institutions. New York: Oxford University Press, 2000.

Tyler, Carol-Anne. “Boys Will Be Girls: The Politics of Gay Drag.” inside/out: Lesbian Theories, Gay Theories. Ed. Diana Fuss. New York: Routledge, 1991. 32–70.

Vivinetto, Gina. “Feminist, fun and feisty. One’s punk, one’s pop, and both rap about women in rock.” St. Petersburg Times February 21, 2002: 26W.

Wald, Gayle. “Just A Girl? Rock Music, Feminism, and the Cultural Construction of Female Youth.” Rock Over the Edge: Transformations in Popular Music Culture. Eds. Roger Beebe, Denise Fulbrook and Ben Saunders. Durham, NC: Duke University Press, 2002. 191–215.

Walser, Robert. Running With the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover, NH: University Press of New England, 1993.

Whiteley, Sheila. Introduction to Sexing the Groove: Popular Music and Gender. Ed. Sheila Whiteley. New York: Routledge, 1997.

———. Women and Popular Music: Sexuality, Identity, and Subjectivity. New York: Routledge, 2000.

Sound Recordings

Four Tops. “I Can’t Help Myself (Sugar Pie, Honey Bunch).” Forrest Gump: the Soundtrack. Epic EK-66409, 1994.

Lauper, Cyndi. She’s So Unusual. Portrait RK-38930, 1983.

———. True Colors. Portrait RK-40313, 1986.

———. Hat Full of Stars. Epic EK-52878, 1993.

———. Twelve Deadly Cyns …and then some. Epic EPC-477363 2, 1994.

———. Sisters of Avalon. Epic EK-66433, 1997.

———. Shine. Oglio OGL82015-2, 2002.

———. At Last. Epic EK-90760-S1, 2003.

Redbone. “Come and Get Your Love.” Greatest Songs: Come and Get Your Love. Curb D2-77746, 1995.

Ronettes. “Be My Baby.” BMI 50th Anniversary. BMI DIDX-006219, 1990, Disc 1.

Visual Materials

“Cyndi Lauper.” Behind the Music. VH1. September 2002.

“Cyndi Lauper.” Intimate Portrait. Lifetime. October 1998.

“ Cyndi Lauper with the Boston Pops Orchestra.” Pop Goes the Fourth! A&E. July 4, 2001.

Lauper, Cyndi. Twelve Deadly Cyns… and Then Some. Dir. Kevin Dornan. DVD. Epic, 2000.

Interview with Cyndi Lauper and David Wolff.” The Meldrum Tapes. MTV. December 14, 1986.

Schwarz, Peter. All Dressed Up and No Place to Go. Inner Visions Group, VHS-S31085, 1996.

“Summer Concert Series: Cyndi Lauper.” Good Morning America. ABC. June 7, 2002.

Online Sources

Cyndi Lauper - Covers.” Cyndilauper.com: Cyndi Lauper's Official Website. Oct. 1, 2004 <http://www.cyndilauper.com/covers.php?song_id=20>.

Fearless Cyndi Lauper Network. Oct. 1, 2004 <http://www.cyndilauper.net>.

Lauper, Cyndi. Online chat session. MSN. Sept. 25, 1997.

“Robert Hazard Sound Clips.” Robert Hazard and the Heroes. Oct. 1, 2004 <http://home.att.net/~roberthazard/sounds.htm>.


 

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Volume 6 Issue 1 (Table of Contents)
Articles

Interview

Greenberg and Mather: Lanois Interview

Review Essay

Levitz: Angora Matta

Reviews

Neal: Race Music

Talbot: Scarlatti

Woodworth: Musicology

 
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