Works Cited



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Birosik, Patti Jean. The New Age Music Guide: Profiles and Recordings of 500 Top New Age Musicians. New York: MacMillan, 1989.

Crocker, Richard. A History of Musical Style. New York: McGraw-Hill Book Co., 1966.

Cyrus, Cynthia and Olivia Carter Mather. “Rereading absence: Women in Medieval and Renaissance music,” College Music Symposium 38 (1998): 101-117.

Diliberto, John. “New age matures.” Billboard Apr. 1, 1995: 60+.

———. “Navigating the shifting terrain of new age music: the evolution of a genre, from world to folk, classical to space.” Billboard April 6, 1996: 44+.

Dronke, Peter and Barbara Thornton. Liner Notes. Sequentia. Symphoniae. Deutsche Harmonia Mundi 77020, 1993.

Foil, David. Liner notes. Vision: the Music of Hildegard von Bingen. Angel Records CDC 7243 5 5524621, 1994.

Grout, Donald Jay and Claude Palisca. A History of Western Music. 6th ed. New York: W. W. Norton, 2001.

———. A History of Western Music. 5th Ed. New York: W. W. Norton, 1996.: 50, 53;

Hall, Dennis. “New Age Music: A Voice of Liminality in Postmodern Popular Culture.” Popular Music and Society 18.2 (1994): 13-21.

Hall, Susan Grove. “New Age Music: An Analysis of an Ecstasy.” Popular Music and Society 18.2 (1994): 23-33.

Higgins, Paula. “From the ivory tower to the marketplace: Early music, musicology, and the mass media.” Current musicology 53 (1992): 118.

Hildegard of Bingen. The Letters of Hildegard of Bingen. Trans. Joseph L. Baird and Radd K. Ehrman. 3 vols. New York: Oxford University Press, 1994-1998.

Hildegard von Bingen. Lieder: Faksimile Riesencodex (Hs. 2) der Hessischen Landesbibliothek Wiesbaden, fol. 466-481v. Ed. Lorenz Welker with commentary by Michael Klaper. Wiesbaden, Germany: L. Reichert Verlag, 1998.

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Leech-Wilkinson, Daniel. The Modern Invention of Medieval Music: Scholarship, Ideology, Performance. Cambridge: Cambridge University Press, 2002.

Littlejohn, David. “Chant Meets Culture.” Early Music America 2.3 (1996): 24-32.

Page, Christopher. Liner Notes. A Feather on the Breath of God. Hyperion CDA 66039, 1986.

Potter, John. Vocal Authority: Singing Style and Ideology. Cambridge: Cambridge University Press, 1998.

Power, Brian and Maureen Epp, eds. The Sounds and Sights of Performance in Medieval Renaissance Music: Essays in Honour of Timothy J. McGee. Aldershot, UK: Ashgate, forthcoming.

Spirits. Liner notes. RCA Victor 09026-68416-2, 1996.

Taylor, Timothy D. Global Pop: World Music, World Markets. New York: Routledge, 1997.

Thornton, Barbara. Liner notes. Voice of the Blood. Deutsche Harmonia Mundi 05472 77346 2, 1995.

———. Liner Notes. Ordo Virtutum. Deutsche Harmonia Mundi 05472-77394-2, 1998.

Witts, Richard. “How to Make a Saint: On Interpreting Hildegard of Bingen.” Early Music 26.3 (1998): 478-485.

Yudkin, Jeremy. Music in medieval Europe. Englewood Cliffs, NJ: Prentice Hall, 1989.

Zrzavy, Helfried C. “Issues of incoherence and cohesion in New Age music.” Journal of Popular Culture 24.2 (1990): 33-53.

Discography

Aachen Cathedral Choir. Sacred Music of the Masters. LP. Columbia C-80102, 1960.

Alomar, Carlos. Dream Generator. Private label, 1987.

Anger, Darol and Mike Marshall. Chiaroscuro. Windham Hill Records WD-1043, 1985.

Anonymous 4. Hildegard von Bingen: 11,000 Virgins: Chants for the Feast of Saint Ursula. Deutsche Harmonia Mundi HMU 907200, 1997.

The Benedictine Monks of Santo Domingo de Silos. Chant. Angel Records 55138, 1994.

Budd, Harold and Brian Eno. Ambient 2: The Plateaux of Mirror. LP. EG EEGCD-18, 1980.

——— . The Pearl. LP. EG EEGCD-37, 1984.

Eno, Brian. Another Green World. LP. EG EGCD-21, 1975.

——— . Ambient 1: Music for Airports. LP. EG EEGCD-17, 1978.

Enya. Watermark. Warner Brothers 26774, 1987.

Garmana. Hildgard von Bingen. North Side 6063, 2001.

Gentile, Norma. Unfurling Love’s Creation. Lyrichord Early Music Series LEMS 8027, 1997.

Gothic Voices. A Feather on the Breath of God. LP. Hyperion 66039, 1982.

Halpern, Steven. Spectrum Suite. LP. Steven Halpern's Inner Peace Music 7770, 1975.

Hart, Mickey. Planet Drum. Rykodisc 10206, 1991.

Hedges, Michael. Aerial Boundaries. Windham Hill Records WD-1032, 1984.

Hykes, David and Djamchid Chemirani. Windhorse Riders. New Albion Records 24, 1989.

Instrumentalkreis Helga Weber. Hildegard von Bingen: Lieder und Antiphonen. LP. Christophorus CHE 0041-2, 1980.

Lo, Ismaël. Jammu Africa. Sankara 534-233-2, 1996.

The Medieval Experience. Archiv 449 082 2, 1995.

Oak, Ellen. Harmony of Heaven. Bison Tales, 1989.

Oxford Camerata. Heavenly Revelations: Hymns, Sequences, Antiphons, Responds. Naxos 8.550998, 1995.

Monks of Saint-Benoit-du-Lac, Québec, Canada.  Chants grégoriens. 78 rpm. Cantilènes Sacrées 109, 1948.

Project Ars Nova. Angeli. Telarc CD-80448, 1996.

Raphael and Kutira. Like an Endless River. Kahua Hawaiian Institute, 1994.

Schola der Benediktinerinnen-Abtei St. Hildegard Rüdesheim. Symphoniae harmonie caelestium revelationum. Bayer BR100116, 1995.

Roach, Steve. Quiet Music. Fortuna 17043-4, 1986.

Serah. Out of the Wind. Great Northern Arts 61011, 1994.

Sequentia. Ordo virtutum. LP. Deutsche Harmonia Mundi 77051-2-RG, 1982.

——— . Symphoniae. LP. Deutsche Harmonia Mundi 77020-2-RG, 1985.

——— . Canticles of Ecstasy. Deutsche Harmonia Mundi DHM 05472 773202, 1994.

———. Voice of the Blood. Deutsche Harmonia Mundi 05472 77346 2, 1995.

The Song of Angels. Polygram Records 534279, 1997.

Souther, Richard. Vision: the Music of Hildegard von Bingen. Angel Records CDC 7243 5 5524621, 1994.

Stoltzman, Richard. Spirits. RCA Victor 09026-68416-2, 1996.

Voices of Ascension. From Chant to Renaissance. Delos DE 3174, 1995.

Vox. Diadema. Real Music RM 8999, 1990.

Winter, Paul. Concert for the Earth. LP. Living Music, 1985.

Wollenweider, Andreas. White Winds. Columbia CK39963, 1987.

World Music that Speaks to the Spirit. Triloka, 1997.

 

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Interview

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