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Thanks to Peter Boergesen, Universal Instruments; Dikran Kassabian, ISC Networking,
University of Pennsylvania; and Leo G. Svendsen, EKC Technology for their
help in connectivity image research; David Schwarz for contributing both
tech chops and a fine ear to the creation of the soundtrack.

Bothamley, Jennifer. Dictionary of Theories. London, Detroit, and Washington, D.C.: Gale Research Intl. Ltd., 1993.

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Cisco Internet Home Briefing Center. “Entertainment.” October 2000.

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Cubitt, Sean. “Maybellene: Meaning and the Listening Subject,” Popular Music 4 (1984): 207–224.

Deleuze, Gilles and Felix Guattari. Mille plateaux: Capitalisme et Schizophrenie. Paris: Minuit, 1980. A Thousand Plateaus. trans. Brian Massumi. Minneapolis: University of Minnesota Press, 1987.

DeNora, Tia. Music in Everyday Life. Cambridge and New York: Cambridge UP, 2000.

Eisler, Hanns, and Theodor Adorno. Composing for the Films. New York: Oxford UP, 1947. Athlone Press, 1994.

Fabbri, Franco. “A Theory of Musical Genres: Two Applications.” Popular Music Perspectives. Eds. David Horn and Philip Tagg. Göteborg and Exeter: IASPM, 1982. 52–81.

Fink, Robert. “Orchestral Corporate.” ECHO: a music-centered journal. 2.1 (Spring 2000):

Gibbs, W. Wayt. “As We May Live.” Scientific American. November 2000.

Gifford, Bill. “They’re Playing Our Song.” FEED. 1 October 1995. (accessed September 2000).

Haraway, Donna. “A Manifesto for Cyborgs.” Socialist Review 80 (March-April 1985): 65–107.

Hartley, John. “Genre.” Key Concepts in Communication and Cultural Studies. Eds. O’Sullivan, et al. New York and London: Routledge, 1994.

Humes, Malcolm. “What is Ambient Music?” April 1995. An Ambient Music Archive. (accessed October 2000).

Kassabian, Anahid. Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York and London: Routledge, 2001.

Kramer, Lawrence. Music As Cultural Practice, 1800-1900. Berkeley: University of California Press, 1994.

Lanza, Joseph. Elevator Music : A Surreal History of Muzak, Easy-Listening, and Other Moodsong. New York: Picador USA, 1995.

Le Guin, Elisabeth. “Uneasy Listening.” repercussions 3:1 (1994): 5-21.

McClary, Susan. “A Musical Dialectic from the Enlightenment: Mozart’s Piano Concerto in G Major, K. 453, Movement 2.” Cultural Critique 4 (1986):129-70.

Prendergast, Mark. The Ambient Century: from Mahler to Trance—The Evolution of Sound in the Electronic Age. New York and London: Bloomsbury, 2000.

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Picard, R. W.“Toward computers that recognized and respond to user emotion.” IBM Systems Journal 39.3&4 (2000): 705-719.

Schafer, Own. “The Sound of Muzak.” Tokyo Classified Rant ‘n’ Rave. (accessed September 2000).

Schwarz, David. Listening Subjects: Music, Psychoanalysis, Culture. Durham, NC: Duke UP, 1997.

Sterne, Jonathan. “Sounds Like the Mall of America: Programmed Music and the Architectonics of Commercial Space.” Ethnomusicology 41.1 (Winter 1997): 22-50.

Stockfelt, Ola. “Adequate Modes of Listening.” Trans. A. Kassabian and L. G. Svendsen. Keeping Score: Music, Disciplinarity, Culture. Eds. Schwarz and Kassabian. Charlottesville, VA: University Press of Virginia, 1997.

Subotnik, Rose Rosengard. Developing Variations: Style and Ideology in Western Music. Minneapolis: University of Minnesota Press, 1991.

“A Survey of E-Entertainment.” The Economist. (special supplement) 7 October 2000: 1-36.

Tomlinson, Gary. Music in Renaissance Magic: Toward a Historiography of Others. Chicago: University of Chicago Press, 1994.

Walser, Robert. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover and London: Wesleyan UP& University Press of New England, 1993.

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Weiser, Mark. “The Computer for the Twenty-First Century.” Scientific American. September 1991: 94-100.



1    2    3    Works Cited  




Ubiquitous Listening

Draughon and Knapp:
Mahler and the Crisis of Jewish Identity

Photo Essay

Masson and Berish:
Review Essay

Allen Forte


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